Thursday 13 June 2013

Recent Writing:



Over the past few weeks I have been contributing a few pieces over at The Punk Archive

Including an interview with Jamie Jazz of Bleach Blood (former The King Blues), live reviews of New York post-hardcore mob Polar Bear Club and UK power pop punks Me Vs Hero and a feature / interview with up-and-coming London based Rootless Alt-Gypsy-Ska-Punk lot Ghouls

Which I have decided to post here as well for you lovely internet reading folks to see

Expect some exciting announcements coming soon, as well as other random ramblings and music based content.


Stay Lucky



Jay 



Oh, and by the way, feel free to come say high to me on Twitter @godamnlife

Saturday, 8 June 2013

Interview: Bleach Blood

Considering that it's not quite yet been six months since Bleach Blood made their debut live appearance at the Water Rats, their ascendency into the hearts and ears of listeners has been immense. Since the release of their Young Heartbreakers Club EP they have gone from strength to strength, releasing singles Let Your Heart Sing and Anything Anything; heading out on a headline tour as well as playing support slots to Sharks; and tearing up The Hawley as part of the Camden Rocks Festival.

James Robinson had the pleasure of speaking to Jamie Jazz from the band over the phone. He tells us here about taking up the mantle of frontman, how Bleach Blood came to be, and what we may be able to expect from the band in the future.

The Punk Archive: Hi Jamie. How's things?
Jamie Jazz: I'm OK thanks. I'm just casually walking around Notting Hill waiting for a friend.

TPA: How does it feel being a frontman now? Does it feel more pressured than your days in The King Blues?
JJ: Yeah, it was a weird transition initially, being stage left for nine years in my last band, where my main focus was just on playing my guitar. But I feel more settled into it now. It feels more exposed as there's no-one there to hide behind, there's no security blanket. But I'm really having fun and enjoying it.

TPA: How's the new album coming along? How's the writing process been?
JJ: It's going good. Really good, in fact. I've had a long time[to write]. When I started writing music last summer, towards the end of the summer, before the EP or knowing what the band was even going to be, I already had the songs and a vision. It's different, and I think people are going to be surprised, hopefully in a good way, with what I'm writing.

TPA: When can we expect to hear the new material? Do you have a release date you're aiming for?
JJ: We're kind of all going with the flow with this band, y'know. We're working with a great label and great publishers around us, and we're really just having fun. For me, that's the most important thing. So we're just seeing how it goes and having fun. We have a new single, Hope, coming out on the 10th August which is one of the best songs I've ever been a part of. We'll then probably continue to release some singles throughout the rest of the year, and tour later in the year, look at the album coming out early next year, somewhere around January or February time. My main thing with this band, and with being a musician, is just about having fun. That's the way I've always looked at music and being in a band. It's all about having fun.

TPA: How did you go about putting the band together? Was it a natural collaboration, or did you have people in mind that you wanted to work with?
JJ: Not particularly. I went through a massive breakdown, and I was in a terrible place. I had literally zero direction and zero ambition at that point. It was actually Chris McCormack from Three Colours Red, who were a great band. Chris is one of my all time favourite guitar players. He said to me that I needed to pick myself up and pull myself together and it was him who said 'come into the studio'. So I went in, and we worked on stuff, and Chris guided me into it. Likewise, I met Paul (Mullen) randomly on a drunken night out in Camden. Again, Paul has been in so many great bands, and he's another one of my favourite guitar players. I found out he lived round the corner from me in Manor House, so we started hanging out, and became friends. I played him some of my new stuff and asked him if he wanted to join in. Honestly, because Paul is so busy with other bands and stuff I didn't expect him to say yes. But he did, and Frank, we literally found Frank behind the sofa! He lived across the street from Paul and through him we met Charlie. They're all absolutely great guys. And when we got together it just all clicked. There was this natural vibe and chemistry. I mean if there isn't, people can tell. A crowd can tell a mile off if that's not there.

TPA: Thanks Jamie
JJ: No worries man.


Bleach Blood release new single H.O.P.E. on 10th August. Look out for them touring through the remainder of 2013 and for their much anticipated album early 2014. Single Anything Anything andThe Young Heartbreakers Club EP are available now.

Original article can be found on The Punk Archive website here 

Thursday, 6 June 2013

Live: Polar Bear Club

Headliner: Polar Bear Club
Support: Landscapes, Me vs Hero
Where: The Underworld, Camden
When: 1st June 2013

As Camden Rocks really kicked into full swing, doors opened early at the Underworld for the Polar Bear Club gig at 6pm, in what was undecidedly the greatest day and time to ever have that venue booked for a gig, or possibly the worst. The closest venue to the underground station? Check. A great venue? Check. A great band? Check. A lovely, sunny, summer afternoon with over a hundred bands playing a dozen gaffs across Camden? Check, Check and Check.

Undoubtedly the crowd at tonight’s gig was definitely of the persuasion that PBC are nothing if not a great band, and as they began to fill the venue, it was clear to see those that had spent the day in and around some great acts (See Dan’s review) were definitely up for this one.
But I must say right now, as much as I love writing, and as much as I love punk rock. And as much as I love combining writing and punk rock, and writing about punk rock. I hate writing live reviews…….

There are so many hundreds of different little nuances and reasons that can affect whether a band deliver a mind blowing set, or a terrible one. Technically categorizing them and scoring them and rating them on a traffic light scale of poor/good/great is fine. But to analyse every aspect as to why, leaves boring reading. Because what is really at count is the performance and the evening on a whole. To over-compensate, live reviews become cliché. For instance - I swear - I once read in Time magazine that the discovery of Otzi the Ice Man was the most incendiary thing to happen for human biology in the last 50 years. Clichés become very boring very quick. And once I get bored, I start to think about fun things, like boobs, and ice cream, and eating ice cream off of boobs, and sex. So here is tonight’s review summed up as recognizable sexual partners. Enjoy…..

Up first, we had Landscapes, who, on the night seemed a mystery to me, and long after the event, I still can’t fully figure out why. In a post-everything environment you can throw as many generic, compound genre-labels at a band as you want until something sticks, or you like what has stuck, or the band do. Or the fans who like the band that like a genre or whatever-core do. But I still can’t figure it out. Sonically, Landscapes are a tight unit and present a mature post hardcore sound, that really reminded me of  Vheissu era Thrice, with added venom. Visually, their singer stalks the stage in a menacing manner, and the band display a direct energy. So what if it was early in the night, and late in the tour (PBC were flying home the following day) and Landscapes were the opening act. So maybe fatigue had kicked in, or maybe that the venue was still only filling up had something to do with it. But there was something else, something missing. In the songs maybe, or a certain je ne sais quoi, or X-Factor. They left me longing for something more, but in a really disappointing way. Which sucked, because I really think these guys could have been a lot better than average.
If Landscapes were a sexual partner: They would be a slutty-looking, deviant hottie that was shit in the sack.
Me Vs Hero are a band I’ve heard lots of rumblings over, and was glad to catch them live for the first time. Sonically, the comparisons to New Found Glory and A Day to Remember are probably something that will constantly stick with them. But their sugary pop-punk hooks and hardcore beatdowns work. It’s a tried and trusted method that gets the increasing crowd numbers enthusiastically moving. Their bro-core sing-alongs were a perfect accompaniment to the start of summer, and were brilliantly executed. Bounce along, upbeat pop-punk tracks that bury themselves in your head, played at a great tempo with enough of a (double) kick. Does exactly what you’d expect it would, which is deliver utter, joyous, fun.

If Me Vs Hero were a sexual partner: They would be the pretty lil’ sweetheart next door that likes to get rough and ready from time to time.
As the evening passes and the crowd fills out, Polar Bear Club hit the stage and do exactly what you’d expect. Which is play tight, well crafted post hardcore in the vein of Jawbreaker, Small Brown Bike and Hot Water Music. On the final night of their European tour (of which they have also been playing festival dates) they gave both themselves and the crowd an impressive send off. Now in full swing, a venue that seemed to suit them perfectly – the stage size and intimacy – bore witness to an impressive performance, and the crowd lapped up everything these guys had to offer. Jimmy Stadt proves that despite the demure appearance he is a born front man. Charismatic between song banter, high end energy and obligatory crowd participation and stage dives made this an amazing set from start to finish. A band that makes you want to get involved, throw your arms around a friend and just all out enjoy. A great way to end the tour, and a great end of the night.

If Polar Bear Club were a sexual partner: They would be that girl you always liked from way back when you were seventeen. But ten years later, a little wiser, a little bit more grown up and more mature, you will love and appreciate even when you’re not getting your end away.

Gig review by James Robinson (Twitter: @godamnlife) 

Original article can be found on The Punk Archive website here 

Monday, 27 May 2013

Interview: Ghouls

New contributor James Robinson caught up with Ben from UK band Ghouls to discuss crowd funding, new albums, and touring...


Crowd funding or pledging is not a new concept. The act of raising capital through small independent investments, often for a part of the venture at stake is as old as capitalism itself; however, in recent times it has become much more synonymous with artists, film makers, bands and musicians, operating within an industry model that has become much more warped over the past fifteen or years or so, thanks in great part to the web (and Lars Ulrich). And whilst distribution platforms and outlets are now no longer under the mighty lock and key of major labels, studios, television networks and radio stations, there is still no changing the fact that in order to produce an end product, there is still the need for cold hard cash.
Numerous established artists have used this model of funding. However, for smaller and unsigned bands, this source of income can be a major factor in progressing to the next stage in their career, without the aid and debt of studio backing. For one, it means that in essence a band can break even in pre-release sales before entering a studio to record and release the actual album. Fans are given options to pledge a minimum donation of money for a digital copy of the album, or can donate more at their own behest for signed physical copies, t-shirt bundles and whatever else the band has to offer.

One such band utilising this approach to fund their debut album are London’s raucous gypsy/ska/punk/alt/folk collective Ghouls. After cutting their teeth on the live circuit and amassing a fan base for themselves on the underground scene that has also seen Frank Turner show love for their cause via twitter, they are ready to take things to that next level.
I recently spoke to Ben about how this DIY approach and fan interaction remains so present and forefront in the punk community.

The Punk Archive: Why did you decide to use crowd funding to finance your album?
Ben: It's something we felt went really well with our whole DIY vibe. Since we started this band we've kept everything very close to home and done near enough everything ourselves. Also, it's a great way to promote ourselves while getting the album together, meaning a few people should want it by the time it's released!

The Punk Archive: How has the response been so far?
Ben: Absolutely phenomenal. I don't think we expected it to go up as quick as it has been going so far, but we obviously want to do everything we can to make sure we hit the total so we can make this album and get it out there.

The Punk Archive: Do you think that this new way of funding an album or tour will be beneficial for newer acts, or is there still a lot of work to do touring and gigging wise to make a name for yourselves before you can consider doing something like this?
Ben: I think it's definitely a good way for new acts to get funding for things like EPs and albums, even tours. It really shows the rest of the music world that there are people out there who care about real music and who care about new bands. Working hard touring and gigging is what being in a band is all about so I think that has to be done regardless; but I think tackling a pledge as a band that aren't that well known makes it a lot more exciting. The harder you work for it, the better the outcome. This album is something we're putting our all into, and hopefully that will be apparent once it's been heard!

The Punk Archive: Being part of the punk and ska scene, does this approach feel more in keeping with the DIY ethic that has always driven the punk community?
Ben: Definitely, the DIY approach is something we've always had as a band. It's something that has always driven music that stems its roots in punk and driven new music to be heard. It's a good way to be because it means we really care about everything: it's all ours!

The Punk Archive: Asking fans to donate to the album in advance really gives them a chance to not only feel part, but to be a part of it. What do you hope that they will get from this?
Ben: Well, hopefully everyone who pledges towards the album does feel like they are a part of it, and a part of us as a band. Getting this album together is something we just really want to do, not just for ourselves but for the people who do care enough about it and want to be a part of it! We love what we do as a band and the people we play to, whether they've just heard us that night or been to loads of gigs and rep the t-shirt. It gives us the biggest buzz! Anybody that pledges towards this album should feel proud every time they hear it, as they'll have been as much a part of making it as anyone else involved.

The Punk Archive: How did you decide what extras you would offer to those who wished to go above and beyond the pledge for the album download only? There's some pretty interesting offers up for grabs on your pledge music page...
Ben: The extras were something that we all discussed as a sort of joke on one drunken night, and they all somehow made it onto the pledge! We wanted to offer out stuff that wasn't just your usual crowd-funding based pledges, and we wanted the things to be customised to us as individuals and to our personalities. The main thing we wanted was to give the opportunity to people who pledge to hang out with us and see what we get up to. Being in this band is a crazy journey and we want people to be able to get a flavour of it and to get involved! The house party gigs are something we want to do a lot of (even beyond the pledge). House parties are awesome things to play: there's definitely something really cool about playing in a living room!

The Punk Archive: It's great that with every 10% milestone you guys reach, you will be celebrating and uploading a special video. Can you let us in on what might be in store?
Ben: There's some good things in store. We'll be revealing them all soon, but they range from guerilla gigs in well known places, to carrying out good deeds. The final one involves something very permanent, a bit of ink, and supposedly, pain!

The Punk Archive: Finally, what are your plans for the rest of 2013?
Ben: Well, we are just going to keep on touring like we do, because we love it so much! We are currently booking a full-on August tour where we will hopefully be playing every single day of the month. It's not totally booked yet, but getting there: if anyone wants to help us out then feel free! So we'll definitely be staying on a lot more random people's living room floors, a lot more antics in places we've never been that we'll make sure we get on film, and just some really good stories in the making! And, if the pledge goes to plan, the album should be out some time in the Autumn.


You can pledge towards Ghouls' new album here: http://www.pledgemusic.com/projects/ghouls

Original article can be found on The Punk Archive website here 

Thursday 18 April 2013

HAPPINESS (AKA: Me Vs STING)


HAPPINESS

I read recently about a study that suggests people are less happy for using social networking sites, as they tend to judge their own lives on the comparative experiences of their friends and family. And lets be honest, as much as we’re all glad that our old pain in the arse school friend got that new job/promotion/mail order Thai bride/whatever, it can be just the icing on the cake of the flick to the scrote that has been your shitty day.

So to combat this, I have devised a new way of self reflection that can brighten up your day. Instead of comparing your life to that of your colleagues and friends, nut up and go toe to toe with a hero/celebrity/icon/someone who seemingly has it all, and you’ll see that your pitiful lil' existence isn’t all too bad at all.

Here, I’ll go first...

Me Vs STING



ME
SCORE
STING
SCORE
From the  North East of England
Yes
1
Yes
1

Looks*
More handsome than Sting
1
Not as handsome as Jay
0
Bass playing skills
Pisses on Sting
1
Not as good as Jay (but did write Synchronicity II)
½
Bedroom prowess
Can go way longer than Sting
69
Can’t go as long as Jay
½
Relationship Status
Single
1,000,000
Married to Trudie Styler (Probably fucked Toyah Wilcox)
-49½
Multi-Million selling International Artist
No
0
Yes
1,000,000


1,000,072

999,952 and ½


Which means I beat sting at being awesome by 119 and ½ points. Go me


For Comparative Analysis

Me - AGE 27



Sting - AGE 27